• The Return of the Prodigal Son

    The Return of the Prodigal Son
    Brian Zahnd

    In 1669 the great Dutch painter Rembrandt turned Jesus’ most famous parable into one of his masterpieces — The Return of the Prodigal Son. Today this painting hangs in the Hermitage Museum in St. Petersburg, Russia where I have seen it more than once. It always brings tears to my eyes. There’s a reason why Henri Nouwen once sat in front of the painting for eight hours.
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  • War Is Hell

    War Is Hell
    Brian Zahnd

    At that very time there were some present who told him about the Galileans whose blood Pilate had mingled with their sacrifices. He asked them, “Do you think that because these Galileans suffered in this way they were worse sinners than all other Galileans? No, I tell you; but unless you repent, you will all perish as they did. Or those eighteen who were killed when the tower of Siloam fell on them—do you think that they were worse offenders than all the others living in Jerusalem? No, I tell you; but unless you repent, you will all perish just as they did.”
    —Luke 13:1-5

    One of the themes of Jesus’ prophetic ministry that becomes more and more prominent the closer he gets to Jerusalem is his dire warning about the impending fate of Jerusalem. In our Gospel reading for this Sunday, Jesus is informed about some Galilean pilgrims who were probably involved in a political uprising against the Roman occupation and were subsequently put to death by Roman soldiers in the Temple complex — thus mingling their blood with the sacrifices. Jesus’ response is to tell them not to imagine that these Galilean victims were worse sinners than any other Galileans. Instead, Jesus says if they don’t rethink their intentions they will all perish in the same way. Jesus then brings up an incident of a recent building collapse in Jerusalem that had resulted in eighteen fatalities and comments on it by saying, “Do you think that they were more blameworthy than all the others living in Jerusalem? No, I tell you! Unless you repent, you will all be destroyed in the same way.”
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  • The Dark Side of Christmas

    The Dark Side of Christmas
    Brian Zahnd

    Today is the Feast of the Holy Innocents — an unflinching look into the dark side of Christmas. In his Gospel, Matthew tells a macabre story you won’t find on any Christmas card — King Herod’s massacre of the innocents. (Matthew 2:1-18)

    Two thousand years ago Jesus was born into a world where vicious despots were willing to employ hideous violence to hold on to power — which is to say a world not unlike our own. The lethal violence directed at Jesus, first as an infant and then at the end of his life, accentuates the political nature of the kingdom of heaven. This kingdom does nothing less than radically reimagine how the world should be organized. The kingdom that Jesus Christ brings is not a kingdom restricted to heaven, but a kingdom for earth coming from heaven. Of course, the principalities and powers always view this heavenly invasion as a challenge to their tyranny. When the Magi inquired, “Where is the child who has been born King of the Jews?”, it wasn’t long before death squads were sent by Herod in an attempt to eliminate his rival. And what was the inscription Pontius Pilate placed upon the cross indicating the capital crime of Jesus? “Jesus of Nazareth, the King of the Jews.”
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  • O Little Town of Bethlehem

    O Little Town of Bethlehem
    Brian Zahnd

    But you, O Bethlehem of Ephrathah,
    who are one of the little clans of Judah,
    from you shall come forth for me
    one who is to rule in Israel,
    whose origin is from of old,
    from ancient days.
    Therefore he shall give them up until the time
    when she who is in labor has brought forth;
    then the rest of his kindred shall return
    to the people of Israel.
    And he shall stand and feed his flock in the strength of the Lord,
    in the majesty of the name of the Lord his God.
    And they shall live secure, for now he shall be great
    to the ends of the earth;
    and he shall be the one of peace.
    —Micah 5:2-5a

    The prophet Micah was a contemporary of Isaiah of Jerusalem, prophesying seven hundred years before Christ. Micah is best known to us as the one who foretold the birth of Messiah in Bethlehem. Of course, Bethlehem was the birthplace of King David, so it makes sense that the messianic Son of David would also be born there. Nevertheless, Bethlehem was only a small and seemingly insignificant village, but this is in keeping with the ways of God — the work of God often emerges from quiet obscurity.
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  • When Everything’s on Fire Playlist

    Today is release day for When Everything’s on Fire. For most of my books I create an accompanying playlist (just for the fun of it). Every song on the playlist has some connection to the book. The reason for some songs is obvious. For example, in his foreword, Bradley Jersak quotes a line from Steve Bell’s “Wouldn’t You Love to Know,” so its on the playlist. “A Coffee with Nietzsche” has an obvious connection with the book. But the reason for some of the songs is nearly inscrutable. The hint I’ll give is that the songs are in the order they “appear” in the book. Here’s a link to the playlist on Spotify. Enjoy.

    BZ
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  • Escaping the Cave

    Two weeks from today (November 9) When Everything’s on Fire will be released. To possibly pique your interest, I’m sharing Bradley Jersak’s foreword to the book. (It contains an excellent analysis of Plato’s famous cave allegory that is definitely worth reading.)

    BZ

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    Foreword

    Frankenstein and Faust are yet the rage
    Unspeakable, the severing damage done
    Yet on the wind, the distant sound of drum
    And the sweetness of the sage
    Still might come a kinder age . . .

    –Steve Bell, Wouldn’t You Love to Know

    Friends of the truth, the book you are about to read brought me tears of both grief and joy. I moaned over the darkness revealed as darkness and laughed with hope as Easter dawn was unveiled afresh. This book is the word of the Lord. (Thanks be to God). I know this because “the testimony of Jesus is the spirit of prophecy,” and that Spirit reverberates throughout these pages.
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  • Six or Eight? On Reading the Gospels

    Six or Eight? On Reading the Gospels
    Brian Zahnd

    Let’s think about the Transfiguration for a few minutes. The mystery of Tabor is a theological diamond mine that has yielded treasures for two thousand years. Matthew, Mark, and Luke all give an account of the Transfiguration. With a tight focus on the Transfiguration story, we read that Jesus took three disciples (Peter, James, and John) up a high mountain where his divine glory was revealed in dazzling light, and where Moses and Elijah made their anachronistic appearance. When Peter suggested a construction of three tabernacles on the holy mountain — one each for Jesus, Moses, and Elijah — the idea was rebuked by the voice of God saying, “This is my beloved Son. Listen to him!” After these heavenly words, the three disciples no longer saw Moses and Elijah, but only Jesus. From this rich passage we see that the Law and the Prophets are fulfilled in Christ and that only Jesus is the perfect Word of God. The disciples are told to listen to the beloved Son because Jesus is what God has to say. This is the story of the Transfiguration in tight focus.
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  • Christ and Nothing

    Today I stumbled upon a 2003 essay in First Things by David Bentley Hart. It’s 8,400 words on the inevitable nihilism of modernity. This is a topic I find myself thinking about a lot these days. What follows is my severe edit of the essay down to a thousand words that gets at the heart of the matter.

    BZ

    ___________________________________________________________________________________

    What is the consequence when Christianity, as a living historical force, recedes? We have no need to speculate, as it happens; modernity speaks for itself: with the withdrawal of Christian culture, all the glories of the ancient world that it baptized and redeemed have perished with it in the general cataclysm. Christianity is the midwife of nihilism, not because it is itself nihilistic, but because it is too powerful in its embrace of the world and all of the world’s mystery and beauty; and so to reject Christianity now is, of necessity, to reject everything except the barren anonymity of spontaneous subjectivity. As Ivan Karamazov’s Grand Inquisitor tells Christ, the freedom that the gospel brings is too terrible to be borne indefinitely. Our sin makes us feeble and craven, and we long to flee from the liberty of the sons of God; but where now can we go? Everything is Christ’s. Read more

  • Bob Dylan: A Tribute


    Bob Dylan: A Tribute
    Brian Zahnd

    Early one mornin’ the sun was shinin’
    I was layin’ in bed
    Wond’rin’ if she’d changed at all
    If her hair was still red

    That’s how it began. Early one morning when I was fifteen I woke to “Tangled Up In Blue” on the radio. At that time my music obsessions were rock bands like Led Zeppelin, Deep Purple, Blue Öyster Cult, ZZ Top; I wasn’t into singer-songwriter music — it wasn’t heavy enough for me. I was only vaguely aware of Bob Dylan; I knew “Blowin’ in the Wind” and “Lay Lady Lay.” That was about it. But as I listened to the song in a half-dream state I was mesmerized by the meter and effortless rhymes of Dylan’s poetry.

    I lived with them on Montague Street
    In a basement down the stairs
    There was music in the cafés at night
    And revolution in the air

    I believe it was that morning in 1975 that my love for artistic language was born, and I know that was the moment I became a Bob Dylan fan. For over forty-six years BZ (Bobby Zimmerman) has been a constant companion, providing the soundtrack for my life. If I were to listen to all the records, CDs, and digital files of Dylan albums and live bootlegs that I have, it would take weeks of 24-7 listening.

    Yes, I’m a hardcore fan. I didn’t choose to become a hardcore fan, it just happened. It’s more like an addiction, but an addiction that has been nothing but good for me. I respect the kind of hardcore fandom you see among enthusiasts of Dylan, The Beatles, The Grateful Dead, U2, Metallica, etc. A deep dive into an artist’s work makes it that much more enjoyable. Nevertheless, I don’t think it’s really a choice you make, it just happens. I’m grateful that Dylan’s art captured my heart at a young age.
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